April 29, 2007

  • Kurt Vonnegut

    For some time now I’ve been trying to think of what I can say that
    would pay appropriate tribute to Kurt Vonnegut who recently passed
    away. I had virtually forgotten how big of an influence he had been on
    my thinking during my early education. I haven’t read a book he wrote
    in years and I didn’t follow him or listen to his speeches or public
    appearances.  He kind of fell off my radar until it was unannounced
    that he had died. I deeply regret the missed opportunities to have
    listened to him and learned from him these past years.

    Back when I was in High School, I read all of his books that were out
    at the time. I can’t honestly say that I loved every word, but I did
    enjoy them on the balance. But more importantly they forced me to think
    more deeply about things I’d only mused about in the past.  And they
    made me feel more comfortable with the idea of expressing complex
    thoughts in allegory and symbolism. I wonder if I hadn’t read Kurt
    Vonnegut back then would I even be writing at all today? Would I ever
    have found a voice or ever have thought that writing could matter? Or
    would I have simply found some other pursuit and repressed the abstract
    thoughts bumping around in my head as unacceptable for “civilized”
    conversation.

    There’s no adequate manner in which I can express my gratitude to him
    for taking the time to write. There’s no mechanism I could use to
    really explain to people how deeply I wish to honor his memory.

    So instead I will simply give to you some of his own words. Not quotes
    from his books as anyone can find and read those, but from the
    interviews and appearances I have been listening to since his death was
    announced. These I feel shed some insight into the mind of an
    extraordinary being.

    “I make posters suitable for frames you hang on the wall. And one of
    them is  ‘Dearest Iraq, Do like us. After 100 years let your slaves go.
    After 150 let your women work. Love you madly, Uncle Sam.’ Only within
    the previous century did we start to become just.”

    Interviewer: “What do you think of a community like Second Life… Do
    you think it’s possible to get actually something done in such a place?”

    “It’s actually possible to get a better life for individuals. And you
    know I am frequently an enemy of new technologies, but I love cell
    phones. Because I see people so happy and proud walking around
    gesturing you know? I’m like Karl Marx I’m up for anything that makes
    people happy.”

    “Technology has ruined us. You know with “A Man Without a Country” a
    title I considered was “The Fifty-First State” and that would be the
    State Of Denial  which we’re all living in now because the game is all
    over. We are in the process of irreversibly ruining the planet as a
    life support system and nothing’s going to be done about it. I think
    the motto now is “Don’t spoil the party.”"

    Interviewer: “IF you were to build a country that you would consider
    yourself a proud citizen of what would be three of its attributes?”

    “Just one. Great public schools with classes of 12 or smaller.”

    Interviewer: “That’s it? It’s sort of important what’s taught there right.”

    “No. Just do this and the students will teach each other.”

    Interviewer: “What advice would you give to a scientist who wants to
    drop out of the system and start writing, or anyone who feels
    creatively trapped.”

    “I think everybody should practice at heart. And one thing I hate about
    our criticism is that what you do has to be original. Just do it for
    god’s sake! And it’ll make your soul grow. People should be painting
    pictures or drawing pictures or singing or dancing. And it doesn’t
    matter if you’re lousy at it. It’ll still make your soul grow. And also
    you’ll find out more about what’s inside you. Writing? Yes. Look there
    are all these books that are no longer read. It doesn’t matter. It’s
    the thrill. The big pay off is when the author wrote it. The act of
    creativity. So please experience that. It doesn’t have to be justified
    afterwards by fame or money. The big pay off is doing it. And I have
    asked different sorts of real artists, professional artists, when,
    excuse the term, when they get their rocks off. A sculptor is happy
    when he finds out when his piece is going to live.”

    Interviewer: “Where do you think the self consciousness over art comes from?”

    “From the critics. It say’s that if you can’t do something original don’t do it.”

    Interviewer: “How would you describe Second Life?”

    “I can’t see anything wrong with it. I think it’s human resourcefulness at it’s best.”

    “I have a message for future generations. And that is, please accept
    our apologies. We were roaring drunk on petroleum and we in fact still
    are. And everything that distinguishes our era from the dark ages since
    we still have slaves and torture chambers is what we’ve been able to do
    with petroleum. And that is going to end very soon. Of course no one
    will say how soon it’s going to end. I think the next couple of years
    is going to see the price of fossil fuels go through the roof. And
    there will be no substitutes for gasoline and I think that my reading
    of history is that the only fun most human beings have ever had, any
    feeling of power, respect has been driving automobiles. And so they’re
    not about to give that up. And you know you get in a car and everybody
    really respects you. So people are not going to give that up easily so
    eventually we will run out of fossil fuels. And uh I think the world is
    ending.”

    “This was my Uncle Olux. I had a good uncle and a bad uncle. The bad
    uncle was dan but the good uncle was Olux. And what he found
    objectionable about human beings was that they never noticed when they
    were really happy. So whenever he was really happy, you know we could
    be sitting around in the shade in the summertime in the shade of an
    apple tree, drinking lemonade and talking. Just sort of back and forth
    buzzing like humming bees. And Uncle Olux would all of a sudden say “If
    this isn’t nice what is!” And then we realized how happy we were and we
    might have missed it. And the bad uncle Dan was when I came back from
    the war which was quite painful, he clapped me on the back and said
    “You’re a man now.” I wanted to kill him.”

    Interviewer: “You were a POW during the firebombing of Dresdan… You
    must have great empathy for the troops oversees… Everybody agrees
    that it must be hell for those guys.”

    “Well not only that but they’re being sent on fools errands. I’ve read
    about they go on patrols. And they’re in awful danger and the patrols
    accomplish almost nothing. Sure that strikes me as a nonsensical war.
    That isn’t how you fight.”

    Interviewer: “It strikes me that maybe you are not the biggest fan of the president of the united states at this juncture.”

    “Well… he is what in my grade school we would have a called a twit
    and what in High School we would have a called a twit and so I’m sorry
    that we have such a person as a president.”

    “Of course we have only a one party government. It’s the winners.
    Everybody else is the losers. The winners are divided into two parties
    the Republicans and the Democrats.”

    “No cabinet has ever had a secretary of the future. And there are no
    plans at all for my grandchildren and great grand children.”

    “Look we’re awful animals. We can start with that. You know it’s the whole human experiment that’s what we are.”

    Interviewer: “At heart we’re awful?”

    “Look after two world wars and the holocaust and the nuclear bombing of
    hiroshima and nagisaki and after the roman games and after the spanish
    inquisition and after burning witches in public. Shouldn’t we call it
    off? I mean we are a disease and should be ashamed of ourselves.”

    “I think our planet’s immune system is trying to get rid of and should.”

    “You know everybody’s been so mean to the president lately as though he
    caused the hurricane, and he didn’t. He didn’t cause that hurricane.
    And I’d like to say something good about him. He is not the dumbest man
    at the top of our government. The dumbest man at the top of our
    government is the secretary of defense. He is so dumb he thought he
    could take over a country and its oil,  population 27 million I
    believe, muslims. He thought he could take it over and the oil which
    was after with a whole bunch of big bangs you know? And then 200,000
    American soldiers who didn’t even know how to say ‘hello’ in arabic.”

    “I have wanted to give Iraq a lesson in democracy because you know
    we’re experienced in it. In democracy, after 100 years you have to
    let your slaves go and after 150 you have to let your women vote, and at the beginning of democracy quite a bit of genocide and
    ethnic cleansing is quite ok. And that’s what’s going on right now.”

    “I have hear a list of liberal crap I don’t want to hear any more. It
    say’s for instance “Forgive us our tresspasses as we forgive those that
    tresspass against us.” Nobody better tresspass against me you know I’ll
    cut him a new you know what.”

    Kurt Vonnegut said he saw the publication of Slaughterhouse five as a
    kind of liberation: “I think it not only freed me, I think it freed
    writers. Because the vietnam war made our motives so scruffy and
    essentially stupid that we could finally talk about something bad that
    we did to the worst people imaginable, the nazis. What I saw, what I
    had to report made war look so ugly. You know the truth can be pretty
    powerful stuff if you’re not expecting it.”

    “You know Karl Marx got a bumb wrap as all he was trying to do was take
    care of a whole lot of people. Of course socialism is just evil now.
    It’s completely discredited supposedly by the collapse of the soviet
    union. But I can’t help noticing that my grandchildren are heavily in
    hock to communist china now which is evidently a whole lot better at
    business than we are. You know we talk about the collapse of communism
    and the soviet union. My Goodness this country collapsed in 1929. I
    mean it crashed big time and capitalism looked like a very poor idea.”

    “When I worked for General Electric again this was soon after the
    second world war. You know I was keeping up with new developments and
    they showed me a milling machine. And this thing worked by punch cards.
    That’s where computers were at that time. And everybody was sort of
    sheapish about how well this thing worked. Because in those days
    machinest were treated as though they were great musicians as they were
    virtuousos on these machines. And after that demonstration everyone was
    thinking what’s going to happen to these wonderful men who have been so
    useful to us. We have to give people something to do with life.”

    “It’s obvious through the human experience that extended families and
    tribes are terribly important. We can do without extended  family as
    human beings about as easily as we can do without vitamins or essential
    minerals.”

    “Well that’s exactly what I am. The trouble with being a secular
    humanist is that we don’t have a congregation we don’t meet. So it’s a
    very flimsy tribe. Well there’s a wonderful quotation from nature.
    Nature said “Only a person of deep faith can afford the luxury of
    skepticism.” It’s something perfectly wonderful is going on I do not
    doubt it, but the explanations I hear do not satisfy me.”

    “Ink on paper doesn’t matter any more. Television is the whole story.
    It is ‘the’ way to communicate now. There was a time when ink on paper
    really mattered but it doesn’t any more.”

    Interviewer: “Can humour be found you think in the devastation of New
    Orleans and all the those other communities along the gulf coast after
    the hurricane?”

    “My faith in the American people is deep. And I imagine there have been
    wonderful jokes made down there. The darkest jokes possible. But again
    there are many people who were absolutely helpless. And it would be
    very human if one of them made a joke.”

    Interviewer: “How important has art been to your work?”

    “Well it’s a perfectly agreeable innocent thing to do and it’s a way of
    being human. What I hate about public school systems that cut out the
    arts because they’re not a way to make a living. It is such a human
    thing to do and it is the experience of becoming. If you make something
    that wasn’t in the universe before. And that feels so good to human
    beings and to cheat kids out of that is criminal. Everybody should be
    painting now or drawing or whatever just as they should be singing or
    taking walks or falling in love or whatever. It’s so human. And not to
    teach kids how to do this is to cheat them terribly.”

    “What music is I don’t know. But it helps me so. And I mean it’s just
    noise but it’s such magical noise and enchanting to me. Why it works so
    well I don’t know but I know that I can find relief listening to music.”

    “You can’t remember pure nonsense. It was pure nonsense the pointless
    destruction of that city.  And I kept writing crap as they say.”

    Interviewer: “Did the bombing and the stench of the bodies you were
    digging up afterwards haunt you? Do those memories haunt you?”

    “No. If you were imagining it yes of course you would. And so the
    person would be colored for the rest of his life by this stench in his
    nostrils and all that. This was a wonderful teenage adventure in my
    life. I wouldn’t have missed a moment of it. It did not wound me at
    all. It was things that happened when I was six years old would go a
    whole lot… will explain far more thoroughly what I am then dresdan.
    No, it was a great adventure. I loved the whole thing.”

    Interviewer: “You really did?”

    “Oh yeah, and I liked being in the infantry and I wouldn’t have missed it.”

    Interviewer: “Umm… I’m just so surprised to hear that.”

    “Well it’s wrong for a pacifist to like war that much. I found nothing to object to.”

    “For one thing, one of the filters I had seen it through was war movies
    about world war 2 and war books. And of course they featured Frank
    Sinatra and Duke Wayne and all that. And it took me a long time to
    realize that this war was in fact fought by children. And not these
    middle aged 4f movie actors.”

    “Absolutely nothing was gained by it. And I’ll issue the challenge
    again here. Nobody in this whole world benefited from that air raid but
    me. That not one person got out of auschwitz a microsecond earlier. Not
    one german soldier fell back from his fox hole on the russian front or
    the american front. Nothing was changed at all. And I’m the only person
    that benefited and I got three dollars or maybe four dollars for every
    person killed there.”

    Interviewer: “So you think because of the economics of writing that
    it’s very difficult for writers to be full time novelists any more?”

    “Right and one consequence is that you are going to, your novelists as
    you will have them are people who are rich or what have married rich.
    And so you are going to get more and more stories about Andover and
    Brown and Harvard and so forth. And these lives certainly deserve to be
    reported on, but I think you’re going to have an upper class literature
    because only the upper classes will be able to afford the time it takes
    to write a novel.”

    “Well that’s all they want to publish now in many cases. That’s all
    their interested in. It’s these people in business schools have come up
    with this wonderful idea is “Hey why don’t you publish nothing but
    bestsellers.” You know, it’s why waste money on anything else? And so
    some extremely good writers in this country are having trouble finding
    publishers now because they only sell 25, 30 thousand copies which is
    nothing any more.”

    “Reading was a lot more fun too. I’ve always read for pleasure. I never
    had to explain afterwards what the author had done to prove that I had
    understood the book at all. And when I enter into literary
    conversations now I don’t have the vocabulary, I don’t have the
    critical approach that most people have who have come through seminars
    and all that. So I really can’t speak literature very well.”

    “Writers will come out of almost any department but the English
    department. This is not to insult english departments when I say this
    in a lecture everybody says “oh yeah ho ho what a bunch of jerks in the
    English department”. Well that’s not the purpose of an English
    department to turn out creative writers. It’s to turn out literary
    historians, cultivated people and people who will in turn teach people
    the wonders of their language and their literature. But one thing an
    English department will do is teach you good taste too soon. And so
    when you can’t write very well but are starting out, you’ll be
    horrified when you compare yourself with James Joyce at the peak of his
    powers or Proust or Mark Twain or whatever. And so when I was in the
    chemistry department at Cornell writing for the Cornell Sun I thought
    everything was wonderful that I was doing, you know, I didn’t know any
    better so I dared to begin.”

    “The newspaper style has always seemed to me wonderfully honest. It’s you tell as much as you know as quickly as you can.”

    “I think people are really influenced by novels between the age of 12
    and 24 say. And whatever I am today, whatever my literary tastes are,
    whatever authors I admire, whatever my politics are, is largely
    determined by books I read back then. That was a long time ago.”

    ***

    That last has the most poignant meaning for me. For if there was ever a
    writer whose novels I read “between the age of 12 and 24″ that
    determined to a great extent my literary tastes and my politics and my
    beliefs it is certainly Kurt Vonnegut. I will miss him.

    These quotes come from the interviews with Kurt Vonnegut on NPR, FreshAir,  the SecondLife interview through The Infinite Mind, PBS, and the Daily Show with Jon Stewart. Most of these can be listened to on youtube or through the npr web site.

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